Sistine chapel ceiling de michelangelo biography
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Sistine Chapel ceiling
Cycle of frescoes by Michelangelo
For a collection of images, see Gallery of Sistine Chapel ceiling.
The Sistine Chapel ceiling (Italian: Soffitto della Cappella Sistina), painted in fresco by Michelangelo between 1508 and 1512, is a cornerstone work of High Renaissanceart.
The Sistine Chapel is the large papal chapel built within the Vatican between 1477 and 1480 by Pope Sixtus IV, for whom the chapel is named. The ceiling was painted at the commission of Pope Julius II.
The ceiling's various painted elements form part of a larger scheme of decoration within the chapel. Prior to Michelangelo's contribution, the walls were painted by several leading artists of the late 15th century including Sandro Botticelli, Domenico Ghirlandaio, and Pietro Perugino. After the ceiling was painted, Raphael created a set of large tapestries (1515–1516) to cover the lower portion of the wall. Michelangelo returned to the chapel to create The Last Judgment, a large wall fresco situated behind the altar. The chapel's decoration illustrates much of the doctrine of the Catholic Church, serving as the location for papal conclaves and many other important services.
Central to the ceiling decoration are nine scenes from the Book of Genesis, including The Cr
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Michelangelo And The Sistine Chapel
Extract from the Introduction:
Michelangelo never wanted to paint the Sistine Chapel ceiling. He was daunted by the difficulty of the task and made it clear from the start that he resented the commission, which had been imposed upon him by the imperious and demanding “warrior pope”, Julius II. The artist persisted in the paranoid suspicion that the whole scheme had been cooked up by his enemies and rivals, to give him an opportunity to fail on the grandest scale, and in the most embarrassing way. As they well knew, he was a sculptor, not a painter, and would be bound to make a fool of himself.
Besides, he had better things to do. The decoration of the ceiling of the chapel of the papal conclaves – all twelve thousand square feet of it – clearly struck Julius II as a fittingly grand scheme on which to employ the most prodigiously gifted artist of Renaissance Italy. But Michelangelo did not see it like that. For him it was a distraction from the yet more ambitious project, of a great monument sculpted from marble, to which he had already devoted years of his life, and on which his heart was set.
He reluctantly noted down the details of the contract for work on the ceiling in a memorandum
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Sistine Chapel
Chapel unveil the Pontifical Palace, Residence City
Rome
1km
0.6miles
Sistine Chapel
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