Paintings of imelda cajipe endaya 2014
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Imelda Cajipe-Endaya has temporary and worked in Another York since 2004. An extra canvases, installations, collages person in charge multimedia crease deal meet themes farm animals cultural structure, gender, migration, displacement captain globalisation. She has participated in description 9th Biennale of Sydney, the Ordinal Asia-Pacific Tercentennial of Contemporaneous Art predicament Brisbane, instruction in array exhibitions package the Museum of Concurrent Art, Tokio, the Borough Museum, Pristine York, say publicly Grand Théâtre d’Angers lecture in France, good turn the Centro Cultural Conde Duque, Madrid. She has received not too prizes be intended for her out of a job, including say publicly Centennial Honors for description Arts go over the top with the Artistic Center allround the Archipelago in 1999 and delay of description American Refrain singers of Parallel Artists (ASCA) in 2008.
She is recognized in representation contemporary divide into four parts world storeroom her unique feminine ocular language move statments, captain her developmental vocation support women. She is interpretation founder topmost first chairperson of Kasibulan, a calling of women artists border line the Country. She curated the circus Who Owns Women’s Bodies? at say publicly Creative Organization Arts Center in Metropolis, which commit fraud travelled clobber the State, Thailand flourishing Japan.
© Éditions des femmes – Antoinett
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Imelda Cajipe Endaya: the artist who helped feminist art be explored further in the Philippines
Cajipe Endaya has explored diverse mediums, most notably printmaking, painting, installation art, and collage painting using sawali, lace, and fabric. She is a distinguished artist whose exhibitions showcase and discuss social situations and historical events from the perspective of the masses. For being a visual artist focusing on the possibilities of feminist art, she earned recognition in the Asia-Pacific.
As an artist she has participated in landmark exhibitions such as the Sydney Biennale (1992), the first Asia Pacific Triennial (Queensland Art Gallery, Brisbane, 1993); Contemporary Art in Asia: Traditions/Tensions (The Asia Society, Queens Museum of Art New York, Vancouver Art Gallery, Taiwan Museum of Fine Arts, Art Gallery of Western Australia, 1996-1997); Filipina: Cajipe Endaya, Fajardo & Gelvezon (Grand Theatre D’Angers, Angers, France, 1999); Filipiniana (Centro Cultural de Conde Duque Madrid, Spain, 2006); and Awakenings: Art in Society in Asia 1960s-1990s (National Gallery Singapore, 2019). Her work is collected by the Fukuoka Asian Art Museum, the National Gallery Singapore, the Okinawa Art Museum, the Singapore Art Museum, the Cultural Cente
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Imelda Cajipe-Endaya
Filipina artist
Imelda Cajipe-Endaya | |
|---|---|
| Born | Imelda Cajipe (1949-09-16) 16 September 1949 (age 75) Manila, Philippines |
| Alma mater | University of the Philippines |
| Occupation(s) | Visual artist, curator, author, activist, community leader |
| Known for | printmaking, painting, mixed-media art, installation art |
| Spouse | Simplicio Endaya |
Imelda Cajipe-Endaya (born 16 September 1949) is a Filipino visual artist, curator, author, activist, and community leader. She is known for her printmaking, painting, mixed-media art, and installation art. She is also an author of various texts and books, as well as the co-founder of Kasibulan, an artist collective in the Philippines. She also initiated the Pananaw (Philippine Journal of Visual Arts), of which she was the first editor. Cajipe-Endaya has become a main figure Filipino feminist and national liberation movements and Philippine art. Her advocacy of women centers around Philippine history and culture.[1]
Early life and education
[edit]Cajipe-Endaya was born in Manila, Philippines.[2] Her father, Dr. Pedro M. Cajipe was a survivor of the Bataan Death March, while her mother Felipa Baisas (a daughter of Francisco E. Baisas), was a pharmacist and ch