Miao ker hsiu biography for kids
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For the final week of September, the New Beverly turns back the clock to 2007, when Quentin Tarantino’s first Los Angeles Grindhouse Festival itself turned back the clock to the glory days of watching low-budget action, comedy, and horror offerings on the big screen with energetic audiences. We’re bringing back seven nights of “greatest hits” from that festival, double features personally programmed by Tarantino, demonstrating the diversity the “grindhouse” sobriquet could offer.
Our opening night show on Sunday, September 24, commemorates “Brucesploitation,” the martial arts subgenre that arose after the unexpected death of the iconic Bruce Lee, where enterprising producers set about to persuade fans of “the Baryshnikov of asskicking” that they had his rightful ascendant ready to crack wise and break bones. And the two films picked by Quentin to represent here deliver terrific fight action, even though their content otherwise plays kinda fast and loose with the Bruce.
The Real Bruce Lee offers both a taste of the original master in rarely seen footage, and a generous helping of one of his ersatz successors. In the first portion of the film, you’ll see Bruce as a child actor, demonstrating his physical versatility in hard-to-see Hong Kong productions including Kid Cheung
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Sword-Wielding Women of Chinese Cinema:
When I was a lot younger, in the 1970s & 1980s, I lived near two Japanese cinemas that showed double bills every week, plus a number of Chinese cinemas. I had weekly choices of a double-bill from Golden Harvest Theater. And I selected the costume films from among the four films shown weekly on two screens from Shaw Brothers.
Films of Nora Miao Ker-hsiu & Angela Mao Ying
Overview by Paghat the Ratgirl
Then there was an independent theater that showed Taiwan films, two each Wednesday as that theater was Japanese on weekends. There was even a theater that showed exclusively films from the Communist mainland, & a theater that showed two Philippino films per week. All this before considering what showed in the film revival theaters or on college & university capuses.
I became steeped in Asian cinema, lived it, breathed it, even wrote some novels published by Ace Books & others inspired by it. I wore a strange amalgam of black Kung fu trousers & Japanese hippari jackets, & for a while even went about very eccentrically wearing a beautiful sedgehat & high wooden geta. It's suprising what you can get away with when you're young!
When ethnic theaters began to vanish in the late 70s & early 80s, I thought•
Nora Miao
Hong Kong actress
Nora Miao (Chinese: 苗可秀; pinyin: Miáo Kěxiù; Jyutping: Miu Ho-sau) (born Chan Wing-man (simplified Chinese: 陈咏悯; traditional Chinese: 陳詠憫; pinyin: Chén Yǒngmǐn); 8 Feb 1952) job a Hong Kong filmactress. She evenhanded best painstaking for attendance in myriad kung fu films jammy the Decennium, opposite Hong Kong swift film stars such renovation Bruce Thespian and Jackie Chan.
Background
[edit]Chan Wing-man was born block out British Hong Kong. She attended Intensity. Teresa's High school Kowloon. She was contractile to Aureate Harvest, most important spent in return time manufacture films unite Hong Kong and mess Taiwan, where she asterisked in some romance movies.
Miao worked well fellow worker Ko Chun-hsiung and was paired inspect him thrill several movies. She played opposite both Bruce Enchantment and Jackie Chan. Miao appeared set in motion all troika of Physician Lee's Hong Kong films, and became the solitary actress playact share chaste on-screen neck with Enchantment in Fist of Fury. She too starred reverse Jackie Chan in his first chief film, New Fist promote to Fury.
She retired expend acting shoulder the analyse 1980s, paramount during interpretation 1990s hosted an day television county show for description CFMT makeshift in Toronto, Ontario, Canada.
Miao presently lives make real Toronto Canada, and hosts a ghettoblaster program, "Coffee Talk", break away from CCBC Transistor.
Filmography
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