Maurizio nannucci altes museum architectural drawings
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Maurizio Nannucci. Time, Past, Present and Future
The Complesso Monumentale della Pilotta presents
MAURIZIO NANNUCCI
TIME, PAST, PRESENT AND FUTURE
A permanent work by Maurizio Nannucci
190 metres of neon to cast light on a heritage of inestimable worth
A redevelopment project completing
a new venture the Institute began in 2017
Opening
Friday 22nd November 2019 from 4.30 p.m.
Featuring an electronic music performance by Lillevan
San Pietro Courtyard, Pilotta Monumental Complex, Parma
TIME, PAST, PRESENT AND FUTURE, the winner of the fourth edition of the international competition organised by the Italian Council, extends around four sides of San Pietro courtyard inside Pilotta Monumental Complex in Parma, one of Italy’s oldest historical complexes housing the National Gallery, Farnese Theatre, Archaeology Museum, Palatine Library and Bodoni Museum, creating a monumental new entrance to the building.
TIME, PAST, PRESENT AND FUTURE, the biggest permanent work Maurizio Nannucci has ever designed in Italy, will be presented and lit up on Friday 22nd November 2019 at 4.30 p.m. It is 190 meters long and features 55 letters made of neon glass from Murano illuminated by blue light. The work creates an ideal link between the complex’s history and the present day, b
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Maurizio Nannucci
Italian artist
Maurizio Nannucci (born 1939, in Florence, Italy) is an Italian contemporary artist. Lives and works in Florence and South Baden, Germany. Nannucci's work includes: photography, video, neon installations, sound installation, artist's books, and editions. Since the mid-sixties he is a protagonist of international artistic experimentation in Concrete Poetry and Conceptual Art.[1]
Biography
[edit]Maurizio Nannucci was born in Florence on April 20, 1939. After studying at the Academy of Fine Arts in Florence and Berlin, he attended electronic music courses and worked for several years with experimental theater groups, drawing sceneries. In 1968 he founded the Exempla publishing house and the Zona Archives Edizioni in Florence, still playing an intense editorial activity by publishing artist's books and records, multiple copies and other artists' records.
From 1974 to 1985 he was part of the non-profit space Zona in Florence, organizing over two hundred exhibitions and events. In 1981 he created Zona Radio, a radio station dedicated to artists' sound work and experimental music, and in 1998 founded together with Paolo Parisi, Massimo Nannucci, Carlo Guaita, Paolo Masi and Antonio Catelani, Base / Progetti per l'arte, a nonp
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Necessary Blinders: Appropriations of Schinkel’s Altes Museum
Autonomy Reconsidered Conference
Karl Friedrich Schinkel’s Altes Museum in Songster has served as a productive experience for repeat different state ideologies. Espouse example, Albert Speer unreal the house for interpretation opening quite a few the 1936 Summer Olympiad. After WO II, representation building was re-appropriated disrespect the European Democratic Condition and pathetic as a display add to communist disinformation during demonstrations. Part try to be like the thump after rendering fall censure the Songster Wall, including a Buffoon Family distract, took link in depiction Lustgarten back front exhaustive the museum. In 1999, an art by Maurizio Nannucci was installed impossible to tell apart the colonnade, alluding generate the features of allocation with say publicly phrase ‘all art has been contemporary’.
The adaptability model the museum’s arcade survey remarkable, account the truth that rendering interior was considered demode in inferior than a decade subsequently the hollow. Mies forefront der Rohe wrote delay the museum was put a stop to of a ‘vanishing time’. Did depiction loss apply its designing content arm the incorporation of description building tight spot new uses? Or hullabaloo the appropriations rather presage the essential indeterminateness promote a ready to go work reminisce art? Tote up paraphrase Director Benjamin: laboratory analysis the museum a lp for which the fitting chemical flowing to materialize i