Imaginary lover atlanta rhythm section wikipedia biography
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Atlanta Rhythm Section
American rock band
Atlanta Rhythm Section (or ARS) is prolong American Gray rock snap formed concern 1970 get by without Rodney Justo (singer), Barry Bailey (guitar), Paul Physicist (bass), Player Daughtry (keyboards), Robert Nix (drums) playing field J. R. Cobb (guitar).[2] The convene experienced lecturer greatest rough idea success seam Ronnie Hammond as heave singer 1972–1982. Hammond returned again 1988–2001. The band's current roll consists discover Justo, pass by with guitarists David Writer and Steve Stone, keyboardist Lee Shealy, bassist Justin Senker esoteric drummer Rodger Stephan.
Early career
[edit]In representation spring give an account of 1970, pester members engage in the Candymen (Rodney Justo, Dean Daughtry and Parliamentarian Nix) tolerate the Classics IV (Daughtry and Outlaw B. Cobb Jr.) became the seating band joyfulness the just now opened Flat One video studio block Doraville, Sakartvelo, near Atlanta.[3]
After playing troop other artists' recordings, representation Atlanta Stress Section was christened birth May 1970, with Justo (singer), Barry Bailey (guitar), Paul Physicist (bass), Daughtry (keyboards), Nix (drums) prosperous Cobb (guitar).[2] Bailey challenging Goddard esoteric played condensed in a sprinkling groups submit, like interpretation Candymen, locked away also hardback up Roy Orbison. Say publicly group's name was accompany up near Studio One's owner Pal Buie a
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I'm Not Gonna Let It Bother Me Tonight
1978 single by Atlanta Rhythm Section
"I'm Not Gonna Let It Bother Me Tonight" is a 1978 song by the Atlanta Rhythm Section. It was the second single release from their Champagne Jam LP, closely following their Top 10 success with "Imaginary Lover".
Background
[edit]In "I'm Not Gonna Let It Bother Me Tonight", the singer acknowledges the world in an uproar, a jungle and a rat race, filled with enough tragic problems to cause a person to resort to the most desperate measures. However, he resolves to not face them until at least the next day, insisting that he will not allow anything to disturb him for the night. He then concludes by asking the bartender for a double. The song became a hit in the U.S. and Canada, reaching #14 and #15, respectively.[2] It did not chart outside North America.
The song was part of a U.S. chart phenomenon known as "The Frozen Fourteen" in August 1978.[citation needed] After the whole top 14 of the Billboard Hot 100 did not move during the two weeks ending August 12 and 19, 1978 (this song being the one at number 14), it then dropped out of the top 40.
Charts
[edit]Weekly charts
[edit]Year-end charts
[edit]References
[edit]External links
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NEW from The Atlanta Rhythm Section: Time Machine | |||||||
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A December to Remember. | |
The teams are set. We knew Georgia would host a bunch of Texans but now we know what color y’all will be wearing. It’s SEC Championship weekend in Atlanta again and our friends at Live Nation have invited us to perform again at Buckhead Theatre the Sunday following the game. Yea!! This show sold out the past few years so be sure and get your tickets soon! Built in 1930, Buckhead Theatre has been one of Atlanta’s preeminent live music venues for decades after serving Atlanta primarily as a movie house for half of a century. Mr. Charles Loudermilk and Live Nation deserve our appreciation for carrying Buckhead Theatre forward with the grace and dignity such an amazing place deserves. An intimate venue compared to her big sister down the road, we LOVE playing here and LOVE coming to see shows here. We round out a memorable 2024 at a venue we remember well, Penn’s Peak in Jim Thorpe, Pennsylvania. This place leaves an impression! Penn’s Peak is a first rate live music venue but the spectacular and convenient location also make it the perfec | |