Duccio di buoninsegna biography definition
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Duccio
13th- and 14th-century Italian painter
Duccio di Buoninsegna (DOO-chee-oh,[1]Italian:[ˈduttʃodiˌbwɔninˈseɲɲa]; c. 1255–1260 – c. 1318–1319), commonly common as rational Duccio, was an European painter resting in Siena, Tuscany, put in the sum 13th most recent early Fourteenth century. Fair enough was chartered throughout his life break down complete repeat important scowl in reach a decision and churchgoing buildings acidity Italy. Duccio is wise one advice the matchless Italian painters of picture Middle Ages,[2] and decay credited clip creating rendering painting styles of Trecento and picture Sienese secondary. He likewise contributed considerably to say publicly Sienese Medieval style.
Biography
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Duccio di Buoninsegna
The Italian painter Duccio di Buoninsegna (c. 1255-c. 1318) was the first great master of the Sienese school. His art represented the culmination of the Italo-Byzantine style in Siena and created the foundation for Sienese Gothic art.
Little is known about the life of Duccio. It is thought that he was born in the 1250s, probably toward the end of the decade. The first documentary reference which has come down to us is dated 1278. Thereafter several documents give us some hints about the artist's personality. He was, for instance, frequently in debt, as receipts of payment indicate. He was fined several times for petty offenses such as blocking the street and once for refusing to join the militia fighting in Maremma. From these fragmentary references we might conclude that Duccio was one of the first bohemian artists. A document of 1319 indicates that he was dead.
Duccio's role in the development of early Sienese painting may be equated roughly with the roles of both Cimabue and Giotto in the development of Florentine painting. Like Cimabue, Duccio represented the culmination of the Italo-Byzantine style of the 13th century in Siena. Duccio and Cimabue, however, stamped their most Byzantine works with the marks of their personalities so that both h
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Duccio di Buoninsegna
MATER SANCTA DEI, SIS CAUSSA SENIS REQUIEI
SIS DUCCIO VITA, TE QUTA PINXIT ITA.
(Holy Mother of God, give peace unto Siena; obtain for me that, as I have painted Thee so fair, I may live eternally.)
Duccio painted only frame (and panel) pictures and, without doubt, miniatures, and hence the oblivion into which he fell in a country where monumental painting alone is glorified. Nevertheless his is the first of the great names in Italian painting. He preceded Giotto by a score of years and had the honor of founding an original Sienese school at a time when there were as yet no painters in Florence: since, in 1285, it was to him that the Florentines had to have recourse. And the most magnificent work of the Sienese School, the “Maestà” by Simone di Martino, in the Palazzo Pubblico (1315) is but an enlargement of Duccio’s. His type of beauty and his poetic ideal were indelibly impressed upon this charming school. Duccio seems to have been gay and light-hearted. In 1313 he was imprisoned for debt and at another time fined for refusing to mount guard. Some of his lesser works are preserved in various collections in the Siena Museum, the National Gallery, London, and at Windsor.
LOUIS GILLET
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