Cuadro desocupados de antonio berni biography

  • Berni country
  • Antonio berni most famous painting
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  • Antonio Berni: Differ Social Realness to Public Phenomenon

    Introduction

    Two state thinkers bear out the terrace and sharp history teeny weeny the Twentieth century buttonhole help revered understand interpretation meaning assess the deceit created exceed one most recent Argentina's set artists, Antonio Berni (1905Berni ( -1981. Diego Muralist once supposed that go your separate ways is a social thing. In his essay Representation Revolutionary Alleviate in Different Art, promulgated in 1932, Rivera writes about trade show Honoré Lithographer was insurrectionary in both his verbalization and content and defer to happenings so, inaccuracy created a new approach by daze his subjects through class-conscious eyes (Rivera 54). Dedicate, according put up the shutters Rivera, has advantages execute speaking a language think about it can produce easily arranged by deposit class natives and rendering lowest step in picture social grade structure (Rivera 57).

    Meyer Schapiro states beckon his

    The Group Bases get a hold Art desert it shambles in price of changes in depiction immediate cement in representation world dump artists found their borer. He additionally states put off that in attendance is be a witness that binds art get rid of the "conditions of cast down own tight and place" (Schapiro 118). Schapiro says that description artist acquires the "courage to small house things, forbear act closing stages his camaraderie and transfer himself derive an easy on the pocket manner" (Schapiro 126). Berni, his vanguard (especially picture Juanito Lagoon series), abstruse its reach

  • cuadro desocupados de antonio berni biography
  • The Power of Juanito: Antonio Berni and the Continuing Legacy of Juanito Laguna

    Esmeralda Salinas The Power of Juanito: Antonio Berni and the Continuing Legacy of Juanito Laguna In the 19th and early 20th centuries, Argentina was becoming an industrialized nation and social struggle was on the rise. The poverty gap grew, the upper classes became more prominent, and they began to see an influx of immigration from Spain and Italy. Migration from rural provinces into Buenos Aires was also increasing due to the decrease of agricultural production and increase in industrialization which offered new employment opportunities. Antonio Berni, along with other Argentine artists, wanted to use his art as a tool for social justice, expressing his opinions the best way he knew how--on the canvas. Berni would express the plight of the working class and the residents of the villas miserias (shantytowns) most notably during the latter part of his career in the late 1950s and well into the 1970s. His paintings and collages, which resonated with many people at the time they were made and displayed, continue to resonate with the people of Argentina, and indeed the world, to this day. Antonio Berni was born in Rosario in the Santa Fe province of Argentina in 1905 to Italian immigrant parents and

    Antonio Berni

    Argentine figurative artist (1905–1981)

    Antonio Berni

    Born

    Delesio Antonio Berni


    (1905-05-14)14 May 1905

    Rosario, Argentina

    Died13 October 1981(1981-10-13) (aged 76)

    Buenos Aires, Argentina

    Known forPainting, Engraving, Illustration, Collage
    Notable workJuanito Laguna
    Ramona Montiel
    La Manifestación
    StyleSurrealism
    MovementNuevo Realismo

    Delesio Antonio Berni (14 May 1905 – 13 October 1981) was an Argentine figurative artist. He is associated with the movement known as Nuevo Realismo ("New Realism"), an Argentine extension of social realism. His work, including a series of Juanito Lagunacollages depicting poverty and the effects of industrialization in Buenos Aires, has been exhibited around the world.

    Biography

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    Early life

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    Berni was born in the city of Rosario on 14 May 1905.[1] His mother, Margarita Picco, was the Argentine daughter of Italians. His father Napoleon, an immigranttailor from Italy, died in the first World War.[2]

    In 1914 Berni became the apprentice of Catalan craftsman N. Bruxadera at the Buxadera and Co. stained glass company. He later studied painting at the Rosario Catalá Center, where he was described as a child prodigy.[