Basty alcances biography definition
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Goin' Bulilit
Philippine television sketch comedy show
Not to be confused with Goin' Bananas.
| Goin' Bulilit | |
|---|---|
Title card | |
| Also known as | The Best of Goin' Bulilit |
| Genre | Children's show Sketch comedy Variety show Family |
| Created by | ABS-CBN Studios Edgar Mortiz |
| Written by |
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| Directed by | |
| Starring | Goin' Bulilit cast |
| Theme music composer | Mel Villena |
| Opening theme | "Goin' Bulilit" theme song by Goin' Bulilit cast |
| Ending theme | "Goin' Bulilit" theme song (instrumental) |
| Country of origin | Philippines |
| Original languages | Filipino (main) English (secondary) |
| No. of seasons | all season/s: 9 2005–2019; 8 seasons 2024; 9 season |
| No. of episodes | 684 |
| Executive producers | |
| Producer | Nomie Meraña |
| Production locations | Studio 5, ABS-CBN Broadcasting Center, Sgt. Esguerra Avenue corner Mother Ignacia Street, Diliman, Quezon City, Philippines |
| Editor | Joseph Karl Mayshle |
| Camera setup | Multiple-camera setup |
| Running time | 45 minutes (2005–2019) 35—40 minutes (2024) |
| Production company | ABS-CBN Studios |
| Network | ABS-CBN |
| Release | February 6, 2005 (2005-02-06) – August 4, 2019 • Introduction1Slavery has featured prominently on the U.S. American stage ever since the late 1960s. From Amiri Baraka to Robbie McCauley and Robert O’Hara as well as, more recently, Branden Jacobs-Jenkins, Jeremy O. Harris, and Suzan-Lori Parks, African American playwrights have continuously restaged the traumatic experience of slavery in order to address its various affective, psychological, epistemological, and material legacies. As Douglas A. Jones points out, slavery has emerged "as a historical-cultural matrix with which one had to come to terms in order to understand the interrelation of power, race, and representation in the present" (Jones D.A., 2019: 384). While playwrights have addressed these issues via a number of dramatic and theatrical techniques, one strategy in particular has stood out: the play within the play. In Branden Jacobs-Jenkins’s An Octoroon (2014), an African American playwright restages Dion Boucicault’s controversial antebellum melodrama The Octoroon (1859) to work through contemporary racializing perceptions and ascriptions. In Jeremy O. Harris’s Slave Play (2018), three interracial couples reenact various scenes of sexual subjection in the historic setting of a Virginia plantation in order to address emotional rifts in their relationships • Dear LifeFebruary 1, 2024
Pivotal moments
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