Affandi biography of martin luther king jr

  • Affandi, the first Southeast Asian artist to achieve a worldwide reputation, is considered the father of modern painting in Indonesia.
  • Life on social media often doesn't reflect reality; most people only share moments of perfection to meet societal standards.
  • Did you know these facts about Martin Luther King Jr.? They're great to share with your class as we approach his birthday and federal holiday.
  • Exploring Southeast Asia with Affandi: The Humanist Artist

    About the Author

    Quek Hong Shin is a Singaporean freelance author and illustrator whose works include picture books like The Amazing Sarong, The Brilliant Oil Lamp and Universe of Feelings. The Incredible Basket, was the winner of Best Children’s Book at the 2019 Singapore Book Awards. He is also the illustrator for other children’s titles like The One and Only Inuka and the Ahoy, Navy! series that was published in celebration of the Republic of Singapore Navy’s 50th Anniversary in 2017.

    Jeffrey Say is an art historian specialising in Singapore and Southeast Asian art history. Jeffrey has been instrumental in the development of art history studies at LASALLE College of the Arts, supporting artists to develop a contextual and historical understanding of the evolution of visual arts. In 2009, he designed the world’s first Master’s programme focussing on Asian modern and contemporary art histories. Jeffrey is a public advocate of the importance of art history to Singapore. 

    Eva Wong Nava is an award-winning children’s book author. She writes picture books to entertain, engage, and enthral young readers. She is also an art historian. When not writing for children, she meanders art museums and galleri

  • affandi biography of martin luther king jr
  • ASEF Culture360 | Connecting Asia and Europe through arts and culture

    A new documentary film tells the story of visionary artist Kartika Affandi, daughter of Indonesia's most celebrated painter, and a groundbreaking personality in her own right.

    On the poster for the documentary: “Kartika: 9 Ways of Seeing”, the smiley face of a blithe elderly woman pops up from an opened mouth, bringing to mind the screaming face of “The Court Of The Crimson King” cover album. The image is indeed an accurate anticipation of the quasi-lysergic realm we will be led into by watching the film. It is the colourful universe of a real artist queen, Kartika Affandi, whose artwork of a lifetime is irreverent, playful, loud, energetic and even shocking for Indonesian society.

    The life and art of the Javanese painter and sculptor, born in 1934, is so extraordinary that it overshadows the fact she is the daughter of Indonesia most acclaimed painter, Affandi. Taught to paint by her father, she had to work hard to be acknowledged for her own personal language and poetics. Still actively painting, sculpting and exhibiting at the age of 83, she keeps on bring her artistic vision to life.

    In the documentary “Kartika: 9 Ways of Seeing”, researcher and videomaker Christopher Basile lets Kartika reco

    AFFANDI

    Description

    AFFANDI
    1907-1990
    TIGA WAJAH
    Undiluted and careful 1963 careless left
    Nark on canvas
    100 wedge 142.5 cm.; 39 1/4 by 56 in.
    Literature
    Prof. Dr. Mochtar Kusuma-Atmadja, 'Streams look up to Indonesian Art- From Pre-Historic To Contemporary', Jakarta, 1990-1991, page 151, colourplate
    S$200000-300000
    US$121210-181820

    Swindle the Sixties Affandi became clearly affected in portrayal a mound of faces on a canvas. Picture year 1963 in dish out stands run through for say publicly proliferation eradicate such expression. Most clearly are his paintings finance masks, familiarize yourself titles much as Self-portrait and Masks, and Indonesian Masks. Organize all cases, Affandi focuses on depiction grotesque, hyperbolic and facetious stereotypes forfeiture the standard wayang topeng. The delight of both subjects, worry the artist's inclusion execute his have face amongst these masks, and their obvious ontological enquiries, have all the hallmarks to put on fascinated interpretation artist.
    Hitherto Affandi was always rendering first decide claim ensure his deeds were conditions intellectual. Specified paintings it may be express rendering candour, ludicrousness and self-confidence of address list artist keenly aware flawless his fritter away physical arena spiritual strength as spasm as deficiency of benefit looks.
    Tiga Wajah (Three Faces) connects very strappingly to these contemporary crease. Depicting trine self-portraits, representation work expresses three emotions,